Performer:
TOY
Title:
The Bride
Category:
MP3 RAR album size:
1460 mb
FLAC RAR album size:
1434 mb
Formats:
AUD ADX APE XM MIDI AA AU
Short-Info
Label:
Speedy Wunderground – SW003
Type: Vinyl, 7", Single, 45 RPM, Limited Edition, Numbered
Country: UK
Date of released: 01 Jul 2013
Category: Rock
Style: Psychedelic Rock, Shoegaze
Type: Vinyl, 7", Single, 45 RPM, Limited Edition, Numbered
Country: UK
Date of released: 01 Jul 2013
Category: Rock
Style: Psychedelic Rock, Shoegaze
Rating:
4.9 / 5
Votes:
536
Links
- 1434 downloads at 24 mb/s
MP3 version RAR archive
- 1460 downloads at 25 mb/s
FLAC version RAR archive
Tracklist Hide Credits
| A | The BrideProducer – Dan CareyWritten By – Amir Rassaie |
4:40 |
| B | (Here Comes) Dub Bride | 4:35 |
Notes
Limited edition of 250 hand numbered copies in die-cut sleeve.‘The Bride’ is a re-working of Iranian song "Aroos Khanom" by Amir Rassaie from the record "Funk, Psychedelia and Pop from the Iranian Pre-Revolution Generation", an album which had been on relatively continuous loop in the studio whilst TOY and Dan were working on new material.
After weeks of obsessing over this one song in particular, they decided to cover it and make it the next Speedy Wunderground recording. TOY took the basic chord pattern of the original track and made it their own. Natasha then dropped by the studio, heard the track and loved it and started re-working the lyrics (after having them translated) and the melody. The entire recording was completed in 5 hours. The speediest Speedy Wunderground yet.
In keeping with the label’s ‘manifesto’ the single was recorded live in the dark with smoke and lazers and features the Swarmatron www.youtube.com/watch?v=iJyub78p924. It was produced by Dan Carey in his South London studio throughout a night and mixed the following day.
On the previous Speedy Wunderground recording session the ‘label ruling’ of ‘no lunch break’ had to be relaxed during recording when members of the Archie Bronson Outfit complained of hunger. A similar rule-breaking episode occured during their third recording when a rough edit of the track was taken to TOY’s Field Day afterparty and played out to much delight from the crowd before final mixing of the song the following day.
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