Performer:
P16.D4
Title:
Passagen
Category:
MP3 RAR album size:
1572 mb
FLAC RAR album size:
1790 mb
Formats:
RA ASF MP4 VOC MP1 AHX MPC
Short-Info
Label:
Monotype Records – mono58
Type: 6 x CD DVD, DVD-Video Box Set, Compilation
Country: Poland
Date of released: 07 Dec 2012
Category: Electronic
Style: Experimental, Musique Concrète, Industrial, Noise
Type: 6 x CD DVD, DVD-Video Box Set, Compilation
Country: Poland
Date of released: 07 Dec 2012
Category: Electronic
Style: Experimental, Musique Concrète, Industrial, Noise
Rating:
3.7 / 5
Votes:
398
Links
- 1790 downloads at 24 mb/s
MP3 version RAR archive
- 1572 downloads at 25 mb/s
FLAC version RAR archive
Tracklist Hide Credits
| Kühe In 1/2 Trauer | |||
| CD1-1 | –P16.D4 | Kühe In 1/2 TrauerConcept By – EW*, RLW, RS* |
6:21 |
| CD1-2 | –P16.D4 | Paris, MorgueConcept By – RLW, RS* |
3:19 |
| CD1-3 | –P16.D4 | Anselm Weinbergs Flucht In Den OdenwaldConcept By – RLWSynthesizer – Thomas Memmler |
5:33 |
| CD1-4 | –P16.D4 | Rückplötzlich (Scheitze)Concept By – RLW |
2:48 |
| CD1-5 | –P16.D4 | Hammer/Zange/HebelConcept By – RLW |
3:00 |
| CD1-6 | –P16.D4 | Default Value: StöreingabeConcept By – RLW |
3:48 |
| CD1-7 | –P16.D4 | 5/4/3/2/1/WandConcept By – RS* |
1:11 |
| CD1-8 | –P16.D4 | Ekstase Des SozialismusConcept By – EW*, RLW, RS* |
5:13 |
| CD1-9 | –P16.D4 | He's Afraid Of The Way The Glass Will Fall - Soon: It Will Be a Spectacle: The Fall of a Crystal Palace. But Coming Down In Total Blackout, Without One Glint Of Light, Only Great Invisible CrashingConcept By – EW*, RLW, RS* |
6:39 |
| CD1-10 | –P16.D4 | Dumpfes BegleitgefühlConcept By – RLW, RS* |
4:05 |
| Masse Mensch | |||
| CD1-11 | –P16.D4 | Masse MenschConcept By – EW*, RLW, RS* |
2:41 |
| CD1-12 | –P16.D4 | Ereignisse VI-VIIIConcept By – EW*, RLW, RS* |
3:00 |
| CD1-13 | –P16.D4 | HalbmenschConcept By – EW*, RLW, RS* |
5:08 |
| Distruct | |||
| CD2-1 | –P16.D4 | Kultstudien Zu Anselm WeinbergConcept By – RLWGuitar – RLWOrgan – Phil Johnson*Percussion – EW*, RLW, RS*Vocals – Nurse With Wound |
7:02 |
| CD2-2 | –P16.D4 | Meere Giganten Und BergeChoir [D] – Harold SchellinxConcept By [A] – EW*, RLW, RS*Concept By [B] – EW*, RLW, RS*Concept By [C] – GEN*, RLWConcept By [D] – EW*, RLW, RS*Drum Machine [Rhythm-comp - C] – RLWDrums [D] – Fredrik NilsenGuitar [A], Violin [A] – Harold SchellinxPercussion [A] – Ewald Weber, RLWPercussion [B] – EW*, RLWPercussion [D] – EW*, RLW, RS*Performer [Chairs - A], Vocals [A] – EW*, RS*Performer [Rhythm-track - C], Synth [C] – Nocturnal EmissionsPiano [B] – SES*Piano [C] – SES*Vocals [B] – EW*, RS*Vocals [D] – Tödliche Doris*Voice [C] – W.I. Uljanow |
10:03 |
| CD2-3 | –P16.D4 | External SymbolsChoir [Choirs] – RLWConcept By – EW*, RLW, RS*Noises [Surrounding Noises], Alto Saxophone – EW*Percussion – EW*, RLW, RS*Vocals – Onnyk |
3:44 |
| CD2-4 | –P16.D4 | Aufmarsch, HeimlichAlto Saxophone – PL*Choir [Submitted By] – Anonymous Sender From Eastern Europe*Concept By – RLWElectronics – RLW |
4:04 |
| CD2-5 | –P16.D4 | Svenska FörtäringConcept By – GEN*, RLWVocals [All Other] – DDAAVoice [Female] – Tödliche Doris* |
0:23 |
| CD2-6 | –P16.D4 | Kryptogramme (7-11)Concept By – RLWGuitar [11], Bass [11] – RLWGuitar [7], Bass [7] – RLWPercussion [10] – EW*Percussion [9] – Bladder FlaskPerformer [Everything Else - 9] – RLWPiano [10] – RLWSaxophone [8] – OnnykTape [10] – TM*Tape [8] – RLWViolin [11] – TM*Violin [7] – TM* |
4:40 |
| CD2-7 | –P16.D4 | Upset TwilightConcept By – GEN*, RLWPerformer [Bottles] – RLWViolin, Pipe [Pipes] – Phil Johnson*Vocals, Guitar – Haters* |
2:06 |
| CD2-8 | –P16.D4 | Les Honteuses AlliancesConcept By – RLWElectronics – Bladder FlaskElectronics [Processed Radio], Performer [Rhythm Track] – Nocturnal EmissionsFlute – MerzbowViolin – RLWVoice [Submitted By] – Phil Johnson* |
3:39 |
| CD2-9 | –P16.D4 | Martello TowerConcept By – PL*, RLWPerformer [Rhythm Track] – Nocturnal EmissionsSoprano Saxophone – PL* |
0:25 |
| CD2-10 | –P16.D4 | Luxus & MehrwertConcept By – RLW, RS*Drum Machine [Rhythm Box] – De FabriekElectronics – Hiroki Kocha, Vortex CampaignNoises [Concrete Noises, Weinmarkt] – RS* |
4:38 |
| Disdrafts | |||
| CD2-11 | –P16.D4 | Schmutz-FugenConcept By – GEN*, RLWPerformer [Rhythm Track] – Nocturnal EmissionsPiano – SES*Voice [Voices] – Tödliche Doris*, GEN* |
2:29 |
| CD2-12 | –P16.D4 | Black, Black, Always BlackAcoustic Bass – RLWConcept By – RLWTape – Bladder Flask, Haters* |
4:18 |
| Nichts Niemand Nirgends Nie (The P16.D4 Tracks) | |||
| CD3-1 | –P16.D4 | Passagen - KryptokonturConcept By – RLW, SES* |
5:28 |
| CD3-2 | –P16.D4 | I=:-I/*I-;-I I:"/"IConcept By – RLW, SES* |
4:51 |
| CD3-3 | –P16.D4 | Virtuelle AltäreConcept By – RLW, SES* |
5:11 |
| CD3-4 | –P16.D4 | Neger Am LasterConcept By – RLW, SES*Organ – Peter Lambert |
5:08 |
| CD3-5 | –P16.D4 | My Last Words Will Be...Concept By – RLW, RS* |
6:42 |
| CD3-6 | –P16.D4 | Ex Post FactoConcept By – EW*, RLW, RS*, SES* |
3:44 |
| CD3-7 | –P16.D4 | Rotron IIConcept By – Achim Wollscheid, RLWPerformer [Participants Of The Live Actions] – Charly Steiger, Christoph Wallhorn, Horst Maus, Markus Caspers |
4:00 |
| CD3-8 | –P16.D4 | The Other Cellophane UpsurgeConcept By – RLW, SES* |
8:35 |
| CD3-9 | –P16.D4 | Syntax Der Zerlegten SinneConcept By – RLW, SES* |
3:16 |
| Ephemeral March Of The Dead Monks | |||
| CD3-10 | –P16.D4 | Ephemeral March Of The Dead MonksConcept By – RLW, RS*, SES*Transferred By [Restructured From Rotten Tape By] – RLW |
9:01 |
| Tionchor | |||
| CD4-1 | –P16.D4 | Physisch ErschöpftConcept By – RLW, RS* |
3:15 |
| CD4-2 | –P16.D4 | KoronardilatationConcept By – RLW, RS* |
3:15 |
| CD4-3 | –P16.D4 | Distruct Fragment ZeroConcept By – RS* |
1:53 |
| CD4-4 | –P16.D4 | Aktion:Leer. Korn; BierConcept By – EW*, RLW, RS* |
1:27 |
| CD4-5 | –P16.D4 | SetebosConcept By – EW*, RLW, RS* |
2:53 |
| CD4-6 | –P16.D4 | InkubationskreiseBass – RS*Concept By – RLWDrums – Gerd PoppeElectronics – RLWOrgan – Achim Sczepanski*Vocals – Joachim Stender, Lisa |
3:02 |
| CD4-7 | –P16.D4 And S.B.O.T.H.I. | 85/86/83Concept By [83] – RLWConcept By [85] – S.B.O.T.H.I.Concept By [86] – RLW, SES* |
2:57 |
| CD4-8 | –P16.D4 | Bürgerliche IllusionenConcept By – EW*, RLW, RS* |
1:52 |
| CD4-9 | –P16.D4 | Strauchelnde SäulenConcept By, Performer – EW*, RLW, RS* |
2:33 |
| CD4-10 | –P16.D4 | Aus Angst Davor Zu Ersticken, Sprach Er Beim Essen NieConcept By – RLW |
3:14 |
| CD4-11 | –P16.D4 | Just Call Me Vacuum HeadConcept By – SES* |
0:17 |
| CD4-12 | –P16.D4 | "Okay" She Said With Her Customary Total Lack Of ConsiderationConcept By – RLWDrums, Bass, Guitar – EW*, RLW, RS* |
1:19 |
| CD4-13 | –P16.D4 | SBII: Pionierchor "Diamat"Concept By – EW*, RLW, RS* |
4:04 |
| CD4-14 | –P16.D4 | Mal VuConcept By – RLW, Roger SchönauerPerformer [Live Improvisations] – EW*, RLW, RS*, SES* |
2:30 |
| CD4-15 | –P16.D4 | Virtuell AusgemerztConcept By – RLW, SES* |
3:29 |
| Bonus Tracks | |||
| CD4-16 | –P16.D4 | L'Efficace Et L'EffetConcept By – EW*, RLW, RS*, SES* |
3:10 |
| CD4-17 | –P16.D4 | EssenzConcept By – RLW, RS* |
0:42 |
| CD4-18 | –P16.D4 | Dorothy Malone With GlassesConcept By – EW*, RLW, RS*, SES* |
6:32 |
| CD4-19 | –P16.D4 | Easter AnywhereConcept By – RLW |
4:45 |
| acRID acME [OF] P16.D4 | |||
| Section 1 [1981] | |||
| CD5-1 | –P16.D4 | Maba 4.12.Bass – LLLBass, Guitar, Drums, Voice – EW*, RLW, RS*Concept By – EW*, RLW, RS*Drums, Voice – Gerd Poppe |
2:05 |
| CD5-2 | –P16.D4 | Kriemhilds RacheConcept By – EW*, RLW, RS*Loops [Orchestral], Percussion – RLWPerformer [Jazz Improvisation] – Gerd Poppe, RLW, RS*Violin – Thomas Memmler |
3:59 |
| CD5-3 | –P16.D4 | Rotting OutscratchedConcept By – EW*, RLW, RS*Turntables – RS* |
5:41 |
| Section 2 [1987] | |||
| CD5-4 | –P16.D4 | 10Up/3 DownConcept By – RLW, SES*Organ [Electric] – Pense*, RLW, SES* |
3:11 |
| CD5-5 | –P16.D4 | Sabine Mit Helmut...Concept By – RLW |
1:46 |
| CD5-6 | –P16.D4 | ... Their Coffin-Shaped ClockConcept By – SES* |
1:32 |
| CD5-7 | –P16.D4 | Das Lamm, Der DolchConcept By – RLW, SES*Performer [Flush], Gong, Didgeridoo, Trombone – Gödecke* |
3:37 |
| CD5-8 | –P16.D4 | Acrid Addled AdzeConcept By – EW*, RLW, RS*, SES* |
2:26 |
| Section 3 | |||
| CD5-9 | –P16.D4 | Half Cut CowsConcept By – EW*, RLW, RS*, SES*Electronics [Mics], Mixed By – RLWElectronics [Standby] – RS*Turntables – EW*, RS* |
10:14 |
| CD5-10 | –P16.D4 | InterfacesConcept By – RLW, RS*, SES* |
5:35 |
| Section 4: P16.D4 & Merzbow | |||
| CD5-11 | –P16.D4 & Merzbow | Zur Genese Der HalbbildungConcept By – Masami Akita, RLWMixed By [Final Mix], Edited By [Final Edition] – P16.D4Performer [Transformation Of P16.D4-Material], Mixed By [Mix With Own Recordings] – MerzbowSounds [Choir/Orchestra Loops, Church Organ, E-Guitar, Electronics] – P16.D4 |
19:49 |
| Three Projects | |||
| A: Bruitiste | |||
| CD6-1 | –Achim Wollscheid | I Did What I Did | 1:01 |
| CD6-2 | –Joachim Pense | LLL/RRRPercussion – RLWProducer – RLW |
5:28 |
| CD6-3 | –Markus Caspers And Horst Maus | Am TrafoProducer – RLW |
11:28 |
| CD6-4 | –Charly Steiger | Kon/B/IIConcept By [Concept And Realization] – Achim Wollscheid, RLWProducer – Achim Wollscheid |
1:16 |
| B: Captured Music | |||
| CD6-5 | –P16.D4 | Sektion 1Concept By [Concept And Realization] – RLW, SES* |
5:20 |
| CD6-6 | –P16.D4 | Interlude 1Concept By [Concept And Realization] – RLW, SES* |
0:26 |
| CD6-7 | –P16.D4 | Sektion 2Concept By [Concept And Realization] – RLW, SES* |
4:56 |
| CD6-8 | –P16.D4 | Interlude 2Concept By [Concept And Realization] – RLW, SES* |
0:28 |
| CD6-9 | –P16.D4 | Sektion 3Concept By [Concept And Realization] – RLW, SES* |
5:41 |
| C: Fifty | |||
| CD6-10 | –P16.D4 & Merzbow | VirtualConcept By [Concept And Realization] – Masami Akita, RLW |
0:41 |
| CD6-11 | –P16.D4 & Merzbow | VirginalConcept By [Concept And Realization] – Masami Akita, RLW |
4:51 |
| CD6-12 | –P16.D4 & Merzbow | VirtueConcept By [Concept And Realization] – Masami Akita, RLW |
6:53 |
| Bonus | |||
| CD6-13 | –P16.D4 & Merzbow | V4Concept By [Concept And Realization] – Masami Akita, RLW |
3:44 |
| Ethereal Ephemera | |||
| Captured Music | |||
| DVD-1 | –P16.D4 | Virtual | 0:38 |
| DVD-2 | –P16.D4 | Lammtöpfe | 5:15 |
| DVD-3 | –P16.D4 | Acrid Addled Azur | 1:58 |
| DVD-4 | –P16.D4 | Das Lamm Der Dolch | 2:58 |
| DVD-5 | –P16.D4 | Azur 3 | 1:06 |
| DVD-6 | –P16.D4 | Machines Déviantes | 6:17 |
| DVD-7 | –P16.D4 | Genese Der 1/2Bildung | 6:30 |
| DVD-8 | –P16.D4 | Hunde, Geleast | 3:00 |
| DVD-9 | –P16.D4 | 10Up/3Down | 3:01 |
| 4 Filme | |||
| DVD-10 | –P16.D4 | Luxus & Mehrwert | 4:40 |
| DVD-11 | –P16.D4 | Improvisation Jan 87Cameraman – Markus Caspers |
10:23 |
| DVD-12 | –P16.D4 | Les Honteuses Alliances | 3:39 |
| DVD-13 | –P16.D4 | Kühe In 1/2 Trauer | 6:36 |
Credits
- Directed By – Ralf Wehowsky (tracks: CD2-1 to CD2-10)
- Film Producer – Horst Maus (tracks: DVD-1 to DVD-9), Markus Caspers (tracks: DVD-1 to DVD-10, DVD-12, DVD-13)
- Liner Notes – Dan Warburton, Howard Stelzer
- Performer – Ewald Weber (tracks: CD2-1 to CD2-10), Gerd Neumann (tracks: CD2-1 to CD2-10), Peter Lambert (tracks: CD2-1 to CD2-10), Roger Schönauer (tracks: CD2-1 to CD2-10), Stefan Schmidt* (tracks: CD2-1 to CD2-10), Thomas Memmler (tracks: CD2-1 to CD2-10)
- Sounds [All] – P16.D4 (tracks: CD1-1 to CD1-13)
Notes
6 CDs + DVD + 48-page booklet + 4 postcards +2 buttons.Each disc in separate ecopack sleeve.
All collected in 30.5 x 14.5 x 2.5 cm box.
• Disc one:
- tracks 1-10: Realization V/82 to X/83 (using recordings from VII/80 to IX/83). Final edition: XI/83. Released I/84 as LP Selektion SLP 003.
- tracks 11-13: Realization early 1982. Released 1982 on the LP 'Masse Mensch' (Various Artists, Selektion SLP 001).
• Disc two:
- tracks 1-10: Assemblage of transformed and (re)structured sound material. Recorded XII/82 to XI/84, released I/85 as LP (Selektion SLP 005).
- tracks 11-12: Unfinished drafts for the Distant Structures project. Released for the first time as bonus 7" - Disdrafts for subscribers of the Wahrnehmungen 3-LP-box-set (VOD 18, 2005).
• Disc three:
- Tracks 1-9: Realization 1985. Released III/86 as DLP (Selektion SLP 011). Collaborative project between P16.D4 and S.B.O.T.H.I. Side B from the original double LP and track 2 from side D have not been included as they are by S.B.O.T.H.I., not by P16.D4.
- Track 10: Recording live, Köln, 1991. Unreleased. Restructured from rotten tape 2012.
• Disc Four:
- Tracks 1-15: Realization 1986, compiling tracks which had appeared on international compilation projects from 1982 to 1985. Final edition: X/86. Released II/87 as LP (Selektion SLP 013).
- Tracks 16-19: Realization 1987-1991. Tracks 17-19 had been added to the first CD reissue (Sonoris 1997). For this release one more bonus track (16 - unreleased so far) has been included. The order of the last three tracks is given wrong on the cover. The correct order is given here.
• Disc five:
Released III/89 as CD (Selektion SCD 002).
- Section 1: All tracks fo this section are based on material recorded in 1981 which was treated and recomposed in 1987. The idea was to work with early rock recordings in a non-nostalgic way analyzing the relations between actual and early-80's approaches.
- Section 2 consists of compositions featured on the Capture Music Festival, February 1987. Since the performance was denominated by confrontation and combination of acoustic and optic elements, the tracks were rearranged as "pure acoustic" features.
- Section 3: Whilst the tracks of the other 3 sections are composed with studio techniques these are improvised direct to tape.
• Disc six:
All three projects were recorded 1987 and released as part of LPs which also contained other groups works: 'Bruitiste' was released in 1988 on the DLP 'Bruitiste' (RRRecords RRR 023), 'Captured Music' in 1989 on the LP 'Captured Music (Selektion SLP 019), 'Fifty' in 1990 on the LP 'Fifty' (RRRecords RRR 050).
'Bruitiste' was done by non-P16.D4 members of Selektion (an organization of artists and musicians, related to P16.D4 since 1984) in an attempt to create P16D4 style music, 'Captured Music' uses non-P16.D4 sound material organized by P16.D4 (the basic material consists of live recordings by Hafler Trio, Nicolas Collins, Christian Marclay, Elliott Sharp, Asmus Tietchens, S.B.O.T.H.I., Psychic Television and Nachtluft), 'Fifty' has P16.D4 sound material organized by Masami Akita (Merzbow).
• DVD:
- Tracks 1-9: The 9 films presented here are extracts from the visual material shown during P16.D4's performance at the Captured Music Festival, Karlsruhe 1987. The audiomaterial of the concert were of rather low sound quality, so the the soundtracks for the DVD have been put together from other sources from RLW's archive, related to the festival.
- Tracks 10-13: In the years 1994-1997 Markus Caspers revisited his archive of P16.D4 related footage. The plan of releasing a posthumous "P16.D4 video" never was brought to an end. For this DVD three of his films creating images for - already existing - P16.D4 pieces (films 10, 12, 13) plus one documentation of a spontaneous improvisation during a meeting to prepare the group's performance at the Captured Music Festival have been chosen.
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